Monday 28 February 2011

MM - Concept Development


1. Treatment: A 'normal' 20-year-old man, is getting the train back from work at the normal time, everything seems normal, however strange things are happening to everything around him. Will he be able to get away in time...


2. Character for opening sequence: Marcus Moffitt as the 20 year old man, Joshua Marchant and Callum Bennett as mutated humans.


3. Plot outline:



  • Establishing shot of the train

  • The main character gets on the train and is listening to his ipod, music is playing as though the ipod is playing out loud.

  • Two titles are displayed on the train

  • Someone on the train sitting opposite the main character is acting strange

  • The main character gets of the train quickly

  • And is attacked by a zombie outside the station shelter

  • He pushes off the zombie and starts to run towards the tunnel

  • In the tunnel a mutated person jumps into the main character and he gets the virus

  • He hastily runs out of the tunnel but collapses outside the tunnel

  • As swarms of zombies run out of the tunnel, everything goes black

4. Locations: Tunnel, platform and train


5. Soundtrack: We are thinking of using music, but not throughout the whole sequence as the main character puts in his ipod the music will start and as he stops it so will the soundtrack.


6. Fonts of titles: DOKTOR TERROR


YOU MURDERED

Monday 14 February 2011

MM - Technical Analysis





Shot 1 - 0.14
The clip has an unique beginning, as the Warner Brothers logo comes onto the screen we do not think the film has become but as the camera zooms out the audience sees that it is a poster on a bus, and then the film starts.





Shot 2 - 0.24

The 'Warner Bros. presents' title comes on the screen but is
washed away by the taxi going over a puddle, which is an interesting technique, one we are thinking of using.






Shot 3 - 0.27

This is a low angle mid shot, furthermore the lighting is very dark with the head lights being the only source of light.






Shot 4 0.28

A flash is used to bring up the Silver Production title, but because cars can flash there lights it does not seem that is has been done on a computer after the shot. There is another flash after to make it seem more realistic.






Shot 5 - 0.34

In this shot more titles being used in a interesting way, the title slowly moves across the rear window of the car, but you are also see the aluminous lights in the reflection.





Shot 6 - 0.42

The titles of the two main characters are together in this shot as they move up over the car, you can also see the background of the street through the reflection like in the shot before.





Shot 7 - 0.58

Now the main title which is the title of the film is shown, as the taxi drives over the ground the title is shown.






Shot 8 - 1.06

This is a clever shot because is it not a close up, however you can only see his eyes and nose. It is also a point of view shot from the person being driven.






Shot 9 - 1.10

This is a close up of the main character, it is also in shallow focus, which are two easy but effective shots that we can use.





Shot 10 - 1.15

Another title is used on the window of the car, also showing the street through the reflection. I think they are trying to establishing the main character's job and the location of
where about's they live. But they are not making the location obvious as we can only see through a blurry reflection.






Shot 11 - 1.25

This is a two shot of the main character and the person he is driving. It is also in shallow focus. This shows that he telling loads of people what he thinks about one specific thing and
the reaction of the customer.





Shot 12 - 1.32

Another title in a mirror of the taxi, which is also in shallow focus.





Shot 13 - 1.36

Another two shot, however it is not in shallow focus.





Shot 14 - 1.46

The last title before the 2 minutes, which fades away with the smoke as the car comes through on to the road.






Shot 15 - 1.55

This is a close up of a customer.





This opening uses a lot of repetition in an interesting way, i do not think we will use it in our own sequence but it is very effective. However that is useful is that the film is quite old so i think all of the techniques we can do ourselves. I think it is i good example and it shows that openings are packed with different shots and techniques.

Friday 11 February 2011

MM - Jamiroquai Music Video



Even though this is a music video, it has an interesting techinque from 1.01-1.17 that would be perfect for the ending of our sequence. I think we should look into this in more detail and learn how to use the techinque so we will not have problems when using it for the real thing.

Thursday 10 February 2011

JM - Technical Analysis








 0:30 – 0:36 
The non diegetic sound anchors the images. The bass of the soundtrack increases dramatically as the Title of the film appears on screen. This helps to create immediate tension to the sequence due to the impression of something bad happening.

0:39 – 1:28
Montage editing allows the director to pack the opening sequence with numerous representations of suffering and horror to shock the audience and also prepares them for the gore included in the film.














0:43 – 1:28
Whilst the montage of short clips show destruction and suffering, all of the titles are given a blood effect to them. The change in title colour represents the horror of the events developing the opening sequence.

 












0:52 – 1:28
The combination of cutting rates used with the montage builds tension to the sequence. The cutting rate varies at a fast cutting rate during the montage and a slow cutting rate when the titles are shown. This variation in cutting rate creates tension for the sequence by the panic of shots on screen. 


MM - Location Reccie at Wilderness Woods

Where and when did we go?

On the 8th of February, we went to Wilderness Woods to practice filming, and using different techniques that we are thinking of using in our actual opening.

What was the purpose?

The purpose on going to Wilderness Woods was to experiment with filming techniques and to get used to using the equipment.

What did we do?

At the start of the trip we firstly went on a reccie around the woods to find places that would be good for filming. Some of the places we found had really good lighting from the sun, and it was a great day for filming. We then took some stills along with some clips of interesting techniques such as canted angle and point of view, that we are thinking of using in our own sequence.

What worked?

I think the point of view filming we took I thought was very effective, and it worked very well. Especially when we used hand-held, because it gave the effect that we were running away, it was just a small and easy technique but gave a big impact.

What didn’t work?

When we took the establishing shot we found it quite difficult to move the camera smoothly from a high angle to the level we were at, so we will have to practice that. Furthermore, we found it hard using the canted angle because we could not see clearly what we were filming as the camera was at an angle, so we had to guess.

Wednesday 9 February 2011

CB-Analysing an Opening Sequence

Genre
1.
The film belongs to horror; this is made clear by the dark lighting conveying seclusion, quick movement of the camera giving a sense of fear and fast paced narrative, and mysterious pictures placed in an unusual burnt isolated building pursuing a criminal theme introducing the characters, all being typical conventions of horror.
2.
The generic expectations of the audience by the opening sequence are fulfilled as it is made mysterious and slightly fearful towards the audience. It gives a typical expectation of horror, how the mystery of the pictures and location without an establishing shot give an unexplained narrative but also the dark lighting and unknown ‘evil’ creature conveys evil. This mix between mystery and evil implies to the audience the theme of criminalisation and ‘good v evil’ with a twist of fear.

Narrative
1.
There is no clear narrative in this opening sequence; it is kept ambiguous for a mysterious effect. It gives the audience some knowledge of the unsolved theme of the film and its unexplained effect.
2.
The audience are placed at the start of the narrative but the audience are unclear of what the narrative is, therefore at this point the audience do not understand where they are placed in the narrative. This is made clear by the unknown location as there is no establishing shot, and the dark strange building implies the narrative has already began.
3.
Techniques used include pictures of characters placed in what seems to be a burnt isolated building; this again gives an unclear understanding of who is good and who is bad/evil. This is an original style of the director as usually in horrors the good/evil characters are conveyed purposefully very clearly soon in the film.
The major themes based in Silent Hill are mostly evolved around mystery which includes the theme of evil when the bleak 'death like' creature’s silhouette is shown. This conveys tension through the mystery and evil because the creature and the slight movement of light in an otherwise a bleak scene gives a complex view from the audience, conveying tension.
4.
The mix of mystery and suspense is held in balance along with the fear to portray a clear understanding of the genre but a slightly complex understating of the narrative as the characters are not placed into any particular position. Instead they are all seen as the same in the opening sequence given it the mysterious and criminal effects.

28 Days Later
Film Language

1.
The mise-en-scene conveys the meaning of corruption in the opening sequence as the dark lighting suggests little life or happiness. Whilst the sped up cutting rate and shocking images adds tension and panic within the audience, an obvious convention of horror.
2.
The location is of a lab testing area, without an establishing shot of where it is adds mystery and a feeling of 'aloneness' as no humans are visible. The camera shots are vital in this opening sequence, the sharp close-ups adds shock and panic as the corrupt animals are fearful. This is shown through the quick cutting rate, psychologically changed monkeys, who are conveyed as out of control, giving a theme of altered form and unique.
3.
The meaning again is of corruption, as if something has gone wrong, shown through the modified animals and location. Furthermore in this opening sequence the audience do not learn a lot about the characters as they are not shown, however the sense of survival is implied through the corruption, as if something could go horribly wrong, this gives a sense of mystery and 'aloneness' in the audience.
4.
The characters are not evident but the narrative suggests it’s at the beginning when the corruption began, leaving the mystery of the characters untouched, making the audience think about the abnormal situation in hand.


Media Audiences
1.
The target audience is aged at 16-25, this is because the certificate is an 18 aged certificate but it is appreciated that it will appeal to a slightly younger audience as well. The horror target audience is very similar.
2.
The gender will be male dominant due to the amount of gore and the fact that on a whole there is a dominant horror viewing of men rather than women. It is predominantly aimed at English and American viewers and the western culture because the film has the qualities of a conventional western horror. The protagonist is a young middle class man and the antagonists are an army of killer zombies this is a generic situation in typical western zombie horrors.
3.
Furthermore the actors are predominately white British, allowing them to relate to the same culture. The class and culture is aimed at teenagers (15-18) and young adults (18-25), the mostly likely audience for the film and they will share the similar interest of socialising with friends.
4.
The characters portrayed are also a male of middle class statue and a female of middle class statue, creating a sense of verisimilitude and realism, having the ability to connect with the audience.

Dawn of the Dead (Snyder 2004)
Representation and Ideology
1.
In this sequence the social groups meant to be spread far and wide, as is everyone is fearful of the corruption, this is also conveyed through the hand held camera used as ‘amateur footage’ to convey panic and fear. However the minority social groups are not shown, this is because although the opening sequence is meant to represent everyone’s at a risk, the film does not want to show a minority group as the audience will then believe that specific minority group will be an important factor in this film.
2.
Instead the ‘normal’ staued social groups are shown to represent everyone. Furthermore the amateur footage and news TV/radio shows portray how the whole country is affected and is a world problem, this is pushed when the news presenter is attacked, showing how the ‘corrupted’ are dominant.
3.
In the opening sequence values and beliefs are not fully shown but can be implied, the idea of mass corruption in the country suggests that values and beliefs play a big part within the individual’s life. The idea to ‘start/stop believing’ and ‘make/scrap values’. Although this is not evident it is clearly a major theme identified, mostly through the idea of death and murder. A typical convention of horror, creating panic and corruption.
4.
The main characters, like in ’28 days later’ are not shown, suggesting that the audience will meet them later, keeping the mystery of them untouched and also implying the start of the narrative and the start of the corruption. This also makes the audience think that its effects everyone, not just specified characters, also mysterious of who survives.

Institutional Text
1.
There are a few stars used in this film, this is done to convey very strong acting with someone the audience can relate to whilst holding a sense of realism in the film, giving the ability for the audience to relate strongly to the characters.

Sunday 6 February 2011

MM – Conventions of Film Noir

“A movie that is marked by a mood of pessimism, fatalism, menace, and cynical characters; film noir was applied by French critics to describe American thriller or detective films in the 1940s"

The conventions of film noir:

Visual Style

  • Low key lighting
  • Dutch Angles
  • Low angle shots
  • Wide angle lenses
  • Night for Night filming
  • Shots of character reflection in one or more mirrors

Iconography

  • Dark Sidewalks
  • Rain drenched streets
  • Flashing neon signs
  • Alcohol
  • Trench coats
  • Cigarettes
  • Guns

Settings

  • Urban setting (for example Los Angeles and New York)
  • Bars
  • Nightclubs
  • Gambling den’s
  • Industrial setting (for example refineries and factories)

Narrative Devices

  • Convoluted storylines
  • Flashbacks
  • Voiceover narration